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	<title>Der Metal Krieger &#187; New Hypocrisy Album</title>
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		<title>Review &#124; Hypocrisy&#8217;s End of Disclosure</title>
		<link>https://www.dermetalkrieger.com/reviews/music/review-hypocrisys-end-of-disclosure/</link>
		<comments>https://www.dermetalkrieger.com/reviews/music/review-hypocrisys-end-of-disclosure/#comments</comments>
		<pubDate>Wed, 06 Mar 2013 05:11:15 +0000</pubDate>
		<dc:creator><![CDATA[Lauren Gornik]]></dc:creator>
				<category><![CDATA[Content]]></category>
		<category><![CDATA[Death Metal]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2013]]></category>
		<category><![CDATA[New Hypocrisy Album]]></category>

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		<description><![CDATA[<p>Swedish death metal band, Hypocrisy, has always managed to keep my interest with original themes, experimentation, and the incredible writing ability of Peter Tägtgren. His signature style incorporates death metal riffs with memorable melodies, all while creating a unique and dissonant atmosphere. End Of Disclosure superfluously resonates all of these qualities. This album reinforces the ...</p>
<p>The post <a rel="nofollow" href="https://www.dermetalkrieger.com/reviews/music/review-hypocrisys-end-of-disclosure/">Review | Hypocrisy&#8217;s End of Disclosure</a> appeared first on <a rel="nofollow" href="https://www.dermetalkrieger.com">Der Metal Krieger</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p>Swedish death metal band, <strong>Hypocrisy</strong>, has always managed to keep my interest with original themes, experimentation, and the incredible writing ability of <strong>Peter Tägtgren</strong>. His signature style incorporates death metal riffs with memorable melodies, all while creating a unique and dissonant atmosphere. <em><strong>End Of Disclosure</strong></em> superfluously resonates all of these qualities. This album reinforces the classic Hypocrisy style, combined with fresh and forward thinking for a brand new experience.</p>
<p style="text-align: center;"><strong>Band: Hypocrisy</strong><br /><strong>Album: End of Disclosure</strong><br /><strong>Label: Nuclear Blast</strong><br /><strong>Release: March 22, 2013</strong></p>
<p style="text-align: center;"><a href="http://dermetalkrieger.com/wp-content/uploads/2013/03/Hypocrisy-End-Of-Disclosure-Artwork.jpg"><img class="aligncenter size-large wp-image-2387" alt="Hypocrisy - End Of Disclosure - Artwork" src="http://dermetalkrieger.com/wp-content/uploads/2013/03/Hypocrisy-End-Of-Disclosure-Artwork-1024x1024.jpg" width="520" height="520" /></a></p>
<p>The title/intro track to this album was released early, only giving a taste of what the album has in store. It&#8217;s a simple track that&#8217;s reminiscent of <em>The Arrival</em>, with its haunting intro that breaks out into full, rich, chords. Though many tracks off of <em>End of Disclosure</em> exhibit a similar mood to the self titled track, there is another side to this album. Intense and powerful songs are peppered throughout, bringing you from atmospheric heights to crushing riffs that really make you bang your head. This is apparent on the sixth track, “<strong>Hell is Where I Stay</strong>”. In my opinion, this is the heaviest song on the album and Pete&#8217;s deep, guttural growls bring it to another level. This track has such a powerful buildup paired with chunky grooves and classic Swedish death metal riffs, a song every Hypocrisy fan is sure to love.</p>
<p>One of my other personal favorites would be the eighth track of the album, “<strong>When Death Calls</strong>”. It starts off with furious blasts from drummer <strong>Horgh</strong>, followed by a double-bass groove, which fused with ferocious guitar playing creates a balance of pure aggression and strong melody. As the intensity builds about two and a half minutes in, the intro is revisited, making for a great transition into the final song, &#8220;<strong>The Return&#8221;</strong>. In contrast to the previous track, &#8220;The Return&#8221; is a lot calmer and atmospheric, referencing the intro track of the album by its use of keys.</p>
<p>Overall the album has a good flow by utilizing a variety of mid-paced and fast tempos, while maintaining signature melodies and heavy riffing. Though a couple tracks were a bit lack luster, the album as a whole offers a lot to the listener.</p>
<h3>Rating</h3>
<p style="text-align: center;"><img class="size-large wp-image-2386 aligncenter" alt="Hypocrisy" src="http://dermetalkrieger.com/wp-content/uploads/2013/03/Hypocrisy-1024x282.png" width="520" height="143" /></p>
<p><strong>Track Listing</strong></p>
<ol>
<li>End of Disclosure</li>
<li>Tales of Thy Spineless</li>
<li>The Eye</li>
<li>United We Fall</li>
<li>44 Double Zero</li>
<li>Hell is Where I Stay</li>
<li>Soldier of Fortune</li>
<li>When Death Calls</li>
<li>The Return</li>
</ol>
<p><strong>Personnel</strong></p>
<p>Peter Tägtgren &#8211; Vocals, Guitar<br />Mikael Hedlund &#8211; Bass<br />Reidar &#8220;Horgh&#8221; Horghagen &#8211; Drums</p>
<p>Pre-Order Here:</p>
<p>Currently only available as an EU Mailorder via <a title="End of Disclosure Buy" href="http://www.nuclearblast.de/en/shop/artikel/gruppen/51000.1.html?article_group_sort_type_handle=rank&amp;custom_keywords=end%20of%20disclosure">Nuclear Blast</a></p>
<p>&nbsp;</p>
<p>The post <a rel="nofollow" href="https://www.dermetalkrieger.com/reviews/music/review-hypocrisys-end-of-disclosure/">Review | Hypocrisy&#8217;s End of Disclosure</a> appeared first on <a rel="nofollow" href="https://www.dermetalkrieger.com">Der Metal Krieger</a>.</p>
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